Menu Close

The Songs of the Pogo

Author John Cech
Air Date 1/24/2006
Songs of the Pogo

The Songs of the Pogo Transcript

Brief Sound Clip:

Walt Kelly was one of the masters of American nonsense. His much loved, hilariously cryptic Pogo comic strip first appeared in 1949 and was in American papers even after Kelly’s death in 1973. Pogo was nigh indescribable: an on-going, shaggy dog, animal fable, set in the Okefenokee swamp, with lots of social commentary, Lewis Carroll, and huge dollops of spoonerism. Kelly’s verbal inventiveness simply cried out for music, and Kelly and his pals giddily obliged. Here’s the Pogo theme song, from a CD called Songs of the Pogo— it’s equal parts children’s nonsense, show tune, and old fashioned vaudevillian razzle dazze:

Brief Sound Clip:

The songs on this CD were taken from recordings that were made in the 1950s — when Pogo was one of the hottest properties in American popular culture and there was even a movement afoot in the country to launch the presidential candidacy of the little possum, after whom the comic strip was named. One could only imagine his administration, accompanied as it would have been by choruses like this, from “The Keen and the Quing”:

Brief Sound Clip:

And who wouldn’t vote for the tender “Many Happy Returns,” which should be sung around the cakes and candles of every child’s (or adult’s) birthday party:

Brief Sound Clip:


Explore This Topic Further



This video showcases Pogo Possum Comic No. 16, a 1954 Pogo comic.

Further Reading 

Inge, M. “Li’l Abner, Snuffy, Pogo, and Friends: The South in the American Comic Strip.” Southern Quarterly, vol. 48, no. 2, 2011, pp. 6–74,157.
Jarvis, Eric. “Censorship on the Comics Page: Walt Kelly’s &Quot;Pogo&Quot; and American Political Culture in the Cold War Era.” Studies in Popular Culture, vol. 26, no. 1, 2003, pp. 1–13.

Soper, Kerry. “Serious “Silly Talk”: The Politics of Dialect in Walt Kelly’s Comic Strip Pogo.” Journal of Popular Culture, vol. 43, no. 5, 2010, p. 1081.

Soper, Kerry. “Walt Kelly’s Pogo and the Politics of De/Re-Racialization in Midcentury Comics.” Inks: The Journal of the Comics Studies Society, vol. 1, no. 1, 2017, pp. 4–26.


Posted in Comics, Music